Sir Arthur Seymour Sullivan MVO was an English composer. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado. His works comprise 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include "Onward Christian Soldiers" and "The Lost Chord".
Sir Arthur Seymour Sullivan MVO (13 May 1842 – 22 November 1900) was an English composer. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado. His works comprise 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include "Onward Christian Soldiers" and "The Lost Chord".
The son of a military bandmaster, Sullivan composed his first anthem at age eight. He was selected as soloist in the boys' choir of the Chapel Royal. In 1856, the Royal Academy of Music awarded the first Mendelssohn Scholarship to the 14-year-old Sullivan, allowing him to study first at the Academy and then in Germany, at the Leipzig Conservatoire. His graduation piece was a suite of incidental music to Shakespeare's The Tempest. When it was performed in London in 1862, it was an immediate sensation. Sullivan began his composing career with a series of ambitious works, interspersed with hymns, parlour ballads and other light pieces. Among his best received early pieces were a ballet, L'Île Enchantée (1864), and his Irish Symphony, Cello Concerto and Overture in C (In Memoriam) (all in 1866). From 1861 to 1872, he supplemented his income by working as a church organist and music teacher, and writing hymns and songs.
In 1866, Sullivan composed a one-act comic opera, Cox and Box, which is still widely performed. His most successful orchestral work, the Overture di Ballo, premiered in 1870. Sullivan's talent and native charm earned him many friends in musical and social circles, including Queen Victoria's son Alfred, Duke of Edinburgh. In 1871, Sullivan wrote his first opera with W. S. Gilbert, Thespis. Sullivan then produced his Festival Te Deum (1872), an oratorio, The Light of the World (1873), and incidental music for West End productions of several Shakespeare plays. He also had conducting and academic appointments. In 1875, producer Richard D'Oyly Carte reunited Gilbert and Sullivan to create a one-act piece, Trial by Jury, which was a surprise hit. Their 1878 opera H.M.S. Pinafore became an international sensation, as did The Pirates of Penzance (1879) and Patience (1881). Sullivan never married but had a long love affair with an American socialite, Fanny Ronalds. After the death of his brother Fred in 1877, Sullivan supported Fred's large family financially for the rest of his life, effectively adopting his nephew Bertie.
Carte used his profits from the Gilbert and Sullivan partnership to build the Savoy Theatre in 1881, and their joint works then became known as the Savoy operas. Later hits in the series were Iolanthe (1882), The Mikado (1885), The Yeomen of the Guard (1888) and The Gondoliers (1889). Sullivan was knighted for his contributions to music in 1883. His infrequent serious pieces during the 1880s included two cantatas, The Martyr of Antioch (1880) and The Golden Legend (1886), his most popular choral work. Sullivan's only serious opera, Ivanhoe, though initially successful in 1891, was little-heard after that. Gilbert broke from Sullivan and Carte in 1890, quarrelling over expenses at the Savoy. They reunited in the 1890s for two more operas, but those did not achieve the popularity of their earlier works. Sullivan continued to compose comic operas with other librettists and wrote a number of other major and minor works throughout the decade. He died at the age of 58, regarded as Britain's foremost composer. His comic opera style served as a model for the generations of musical theatre composers that followed, and his music is still frequently performed, recorded and pastiched.