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Glass Houses is the seventh studio album by American singer-songwriter Billy Joel, released on March 10, 1980. It features Joel's first song to peak at #1 on Billboard's Pop Singles chart, "It's Still Rock and Roll to Me." The album itself topped the Pop Albums chart for six weeks and was ranked number 4 on Billboard's 1980 year-end album chart. The album is the 41st best selling album of the 1980s, with sales of 7.1 million copies in the US alone. In 1981, Joel won a Grammy Award for "Best Male Rock Vocal Performance" for his work on Glass Houses. According to music critic Stephen Thomas Erlewine, the album featured "a harder-edged sound" compared to Joel's other work, in response to the punk and new wave movements.

Glass Houses
Billy Joel - Glass Houses.jpg
Studio album by Billy Joel
Released March 10, 1980
Recorded 1979
Genre
Length 35:06
Label Family Productions/Columbia
Producer Phil Ramone
Billy Joel chronology
52nd Street
(1978)
Glass Houses
(1980)
Songs in the Attic
(1981)
Back cover (some versions)
On the LP and some CD releases, Joel is shown looking through a hole after throwing a rock in the glass house. This is also seen on the front cover of some of the single releases from this album.
Singles from Glass Houses

  1. Released: January 1980

  2. Released: March 1980

  3. Released: May 1980

  4. Released: July 1980

  5. Released: 1980

Glass Houses is the seventh studio album by American singer-songwriter Billy Joel, released on March 10, 1980. It features Joel's first song to peak at #1 on Billboard's Pop Singles chart, "It's Still Rock and Roll to Me." The album itself topped the Pop Albums chart for six weeks and was ranked number 4 on Billboard's 1980 year-end album chart. The album is the 41st best selling album of the 1980s, with sales of 7.1 million copies in the US alone. In 1981, Joel won a Grammy Award for "Best Male Rock Vocal Performance" for his work on Glass Houses. According to music critic Stephen Thomas Erlewine, the album featured "a harder-edged sound" compared to Joel's other work, in response to the punk and new wave movements.